Vol. 37 No. 4 (2022)

Articles

• The Pragmatic Expression of Bedhaya Sukma Raras as a Reactualization of Holisticity in the Life of the Human Microcosm and Macrocosm

  Maryono Maryono

  339-351

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• “Beralas Bumi Beratap Langit”: An Investigation of Creating Role and Space through Site-Specific

  ABDUR RIZKY AKBAR

  352-357

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• Shadow Puppets In The Hands Of The Young Puppeteers: Loss Of Philosophy Value

  Suyanto -, Aris Setiawan

  358-367

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• Ramayana Ballet Performance's Allure at Purawisata Yogyakarta

  Endang Caturwati, Een Herdiani, Suzen HR Lumban Tobing

  368-373

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• Tourism Promotion Symbols for Bandung City in a Teenager Romantic Film ‘Dilan 1990’

  Ida Ayu Etsa Pracintya, I Nyoman Darma Putra, Putu Sucita Yanthy

  374-381

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• Sate Renteng as a Cultural Tourist Attraction in Baha Tourism Village: Cultural Studies Perspective

  Dewa Putu Oka Prasiasa, Dewa Ayu Diyah Sri Widari

  382-394

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• Dadi Jeksa; Adaptation of Serat Jayengbaya to Dance Film

  Deny Tri Ardianto, Bedjo Riyanto, Sayid Mataram, Mohd Asyiek Mat Desa

  395-403

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• Sustainable Design As An Effort To Develop Bali Special Woven-Bamboo Packaging

  Ni Luh Desi In Diana Sari, Ni Ketut Pande Sarjani, Gede Bayu Segara Putra, I Kadek Surya Wijaya Putra, Yogi Nur Ardiansyah

  404-411

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• The layout of instruments in the context of teaching strategies and performance of Balinese gamelan music at the University of Canterbury, New Zealand

  I Made Kartawan, Roger Buckton

  412-424

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• Commodification of Mobile Banking Interface Design for Elderly Users

  Ginanjar Hamid Wiryawan, Achmad Syarief, Wegig Murwonugroho

  425-435

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• Tracing The History of The Serai Serumpun Dance Form as A Cultural Identity of Mesuji Regency, Lampung Province

  I Wayan Mustika, Tuntun Sinaga, Iing Sunarti

  436-445

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• Jambi Malay Dance Fashion Aesthetics

  Fatonah -, Mahdi Bahar, Hartati M

  446-454

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