DOI: https://doi.org/10.31091/mudra.v38i3

Published: 30-03-2023

Authenticity and Commodification of Creative Industry Products in The Tourism Sector, Bali

Dewa Putu Oka Prasiasa, Dewa Ayu Diyah Sri Widari, Putu Herny Susanti
DOI: https://doi.org/10.31091/mudra.v38i3.2285

Gandang Tambua Pariaman From Triplek Material an Organological Study Based on Coding

Wimbrayardi Wimbrayardi, Bambang Parmadi, Irdhan Epria Darma Putra, Wembrayarli Wembrayarli

245-251

DOI: https://doi.org/10.31091/mudra.v38i3.2366

Jakarta Toba Batak Subject Position in Toba Batak Mangongkal Holi Discourse: Laclau Discourse Analysis

Suzen Tobing, Agus Aris Munandar, Lily Tjahjandari, Tommy Christomy

252-258

DOI: https://doi.org/10.31091/mudra.v38i3.2328
DOI: https://doi.org/10.31091/mudra.v38i3.2334

Tattoos: Art, Symbol, and History in Dayak Salako

Cornelius Kiki Hartanto, Donatianus BSE. Praptantya; Diaz Restu Darmawan; Ita Lusia, Devi Fridayanti

269-276

DOI: https://doi.org/10.31091/mudra.v38i3.2293
DOI: https://doi.org/10.31091/mudra.v38i3.2020

Local Culture Synchronization in Global Contemporary Fashion Style Breakthroughs

Tiko Prabhata, Ilham Ari Susanto, Savira P., Wegig Murwonugroho

286-300

DOI: https://doi.org/10.31091/mudra.v38i3.2225
DOI: https://doi.org/10.31091/mudra.v38i3.2351
DOI: https://doi.org/10.31091/mudra.v38i3.2353
DOI: https://doi.org/10.31091/mudra.v38i3.2370
DOI: https://doi.org/10.31091/mudra.v38i3.2452
DOI: https://doi.org/10.31091/mudra.v38i3.2200