Vol. 40 No. 4 (2025)

View Vol. 40 No. 4 (2025)
DOI: https://doi.org/10.31091/mudra.v40i4
Published: 02-11-2025

  • The Heroism Value in Totokng Dance at The Nurutni’ Ceremony Dayak Salako Community in West Kalimantan

    Deni Slamet, Tati Narawati, Agus Budiman
    293-311
    DOI: https://doi.org/10.31091/mudra.v40i4.2950

  • Acehnese Culture-Based Artistic Experimentation in the Creation of the Artwork Imajinisan

    Fadhlan Fadhlan, Guntur, Sunarmi
    312-329
    DOI: https://doi.org/10.31091/mudra.v40i4.3486

  • Cultural Materialism and Aesthetic Analysis of Ikat-Woven Sarong Production in Parengan Village, Lamongan, East Java

    Okta Viviana Asmi Nusantari, Rr. Paramita Dyah Fitriasari, SP. Gustami
    330-345
    DOI: https://doi.org/10.31091/mudra.v40i4.2998

  • From Spark to Sculpture: A Practice-Based Exploration of Betta Fish Form Using Stainless Steel Rods

    Miky Endro Santoso, Tessa Eka Darmayanti
    346-364
    DOI: https://doi.org/10.31091/mudra.v40i4.3122

  • Binary Gender in Yogyakarta Panji Masks: A Visual Semiotic Study

    Yasin Surya Wijaya, Slamet Subiyantoro, Mulyanto
    365-380
    DOI: https://doi.org/10.31091/mudra.v40i4.3105

  • Cultural Harmonization: Religious and Inter-Cultural Relations in Calengsai Arts

    Aqiel Sifa' Abdallah Putra, Mutohar Lutfi, Okta Fiani, Rico Anggit Prakoso
    381-396
    DOI: https://doi.org/10.31091/mudra.v40i4.3114