Symbolic Meaning of the Ornamental Diversity of Cirebon Batik Pegajahan

Symbolic Meaning of the Ornamental Diversity of Cirebon Batik Pegajahan

Authors

  • Komarudin Kudiya
  • Setiawan Sabana
  • Agus Sachari

DOI:

https://doi.org/10.31091/mudra.v31i3.42

Abstract

Cirebon Batik Pegajahan is the result ofthe creative process, feeling, intention, also long thought of people who have expertise in interpreting the condition of people‘s behavior of Cirebon (palace), which was then adapted into a form of art and culture of batik fabric through a process of creativity of the craftsmen. This Batik Pegajahan grows and develops within the community of (palace) Cirebon, including: Kasepuhan Palace, Kanoman, Kacirebonan, and Keprabonan.

This study will explain the symbolic narrative contained in Pegajahan Cirebon batik decoration. The discussion is based on the systematic symbolic visual elements of the Pegajahan batik decoration which is based on the teachings ofthe Tarekat Syattariyah attitudes and behavior of (palace) Cirebon society, form of local wisdom that is reflected in the symbolic-aesthetic elements.


The research used descriptive—analytic method and ethnography, in describing the symbolic narrative found in Batik Pegajahan Cirebon, The results are in the form ofvisual data complete with symbolic narratives in Batik Pegajahan Cirebon, which represents behavior of (palace) Cirebon people significantly; so it can be used as reference for further research in the reconstruction, reproducing, and formulating such ornaments as the basis for designing or guidance for the people of batik (palace) Cirebon in particular.

Keywords: Symbolic Narratives, Decoration of Batik Pegajahan and Tarekat Syattariyah

Downloads

Download data is not yet available.

References

Al-Ghazali (I993). Kimia Kebahagiaan. Terjemahan Tim Mizan. Bandung: Mizan.

Casta Made, (2008): Batik Cirebon, Sebuah Pengantar Apresiasi, Motif dun Makna Simboliknya, Cirebon: Penerbit Bakombudpar Kabbupaten Cirebon.

Dhofier, Zamakhasyari. 1994. T mdisi Pesantren. Jakarta: LP3ES.

Dhoï¬er, Zamakhsyari. 1985. Tradisi Pesantren: Studi Tentang Pandangan Hidup Kyai. Jakarta: LP3ES.

Hadi Abdul. W.M. (2004): Hermeneulika, Estetika dan Religiusitas, Yogyakarta: Penerbit Matahari, Cetakan Pertama.

Irianto, HR. Bambang dan Hendriyana, Husen (2012) :Makna Simbolik Motif Batik Keraton Cirebon.

Isniawati, Nina (1988): Simbolisme dalam Seni Batik Keraton Cirebon, Bandung: FISIP UNPAD.

Koentjaraningrat (1977): Beberapa Pokok Antropolagi Sosial. PT Dian Rakyat. Cetakan Ketiga.

Lombard, D. (2000): Nusa Jawa: Silang Budaya, Batas-Batas Pembaratan, Jilid 1, Jakarta: PT Gramedia Pustaka Utama dengan Forum

Jakarta-Paris dan Ecole francaise d’Extreme-Orient.

Muhaimin A.G. (2001): Islam dalam Bingkai Budaya Lokal Potret dari Cirehon. Cetakan Pertama, Penerbit Logos Wacana Ilmu, Ciputat.

Mustafa Zahri, DR. (1982): Kimci Memahami Ilmu Tasawwaï¬ PT. Bina Ilmu Surabaya

Pabitrakumar Roy (1990). Beauty, Art and Man : Studies in Recent Indian Theurises of Art. Shimla: Indian Institute of Advanced Study

Raofan, Achmad (2010): Tarekat Sattariyah Kraton Kaprabonan Suatu Kajian Filologis, Tesis, Bandung: UNPAD.

Spradley, J. P. (2006): Metode Etnografi, Terjemahan, edisi II cetakan ke-1, Yogyakarta: Tiara Wacana.

Sulendraningrat PS (1972): Purwaka Tjaruban Nagari. Djakarta Bharata.

Sachari, Agus (2003): Pengantar Memdologi Penelitian Budaya Rupa, Desain, Arsitektur, Seni Rupa dan Kriya, Bandung: Penerbit Erlangga, cetakan I.

Sachari, Agus (2004): Peran Nilai Estetis Modern Dalam Perkembangan Desain Abad ke-20 di Indonesia, Discrtasi Doktor, Bandung: Institut Teknologi Bandung.

Susanto, S. (1981) Tinjauan Motif-Motif Batik Berbagai Daerah dan Ragam Hias Dalam Seni Batik.

Yudoseputro, W. (2005): Historiograï¬ Seni Indonesia, Sebuah Pemikiran T erwujudnya Sejarah Seni Rupa Indonesia, Bandung : Penerbit ITB.

Downloads

Published

05-05-2017

How to Cite

Kudiya, K., Sabana, S., & Sachari, A. (2017). Symbolic Meaning of the Ornamental Diversity of Cirebon Batik Pegajahan. Mudra Jurnal Seni Budaya, 31(3). https://doi.org/10.31091/mudra.v31i3.42

Issue

Section

Articles
Loading...