A Review: The Transformation Of The Meaning Of Kebaya From National Clothing To A Media Of Self-Representation And Lifestyle

A Review: The Transformation Of The Meaning Of Kebaya From National Clothing To A Media Of Self-Representation And Lifestyle

Authors

  • Putu Diah Ari Kusumadewi Universitas Negeri Yogyakarta
  • Mohammad Adam Jerusalem Magister Study Program of Family Welfare Education, Faculty of Engineering, Universitas Negeri Yogyakarta

DOI:

https://doi.org/10.31091/mudra.v38i2.2005

Keywords:

kebaya, transformasi makna, representasi diri, gaya hidup

Abstract

As a cultural product of the Indonesians, Kebaya has become a national dress that sticks with its philosophical principles and values. However, along with the times and the influence of popular culture, the kebaya changed its design lines. It caused a transformation of the meaning of the Indonesian national dress into a medium of self-representation and the lifestyle of modern women. This review aims to analyze the transformation of the meaning of kebaya as a medium of self-representation and lifestyle. The method used is a narrative review by analyzing several articles using the PRISMA method. The analysis results show that the kebaya, as Indonesia's national dress, has design characteristics, materials, and accessories that contain philosophical meanings that reflect the personality of Indonesian women. The design transformation of the traditional kebaya gave birth to a modern kebaya far from the standard of the conventional kebaya. Modern kebaya is interpreted as a symbol representing the wearer's self-image and social class. The modern kebaya, as a medium of self-image and social class, gives birth to a new lifestyle in society, namely a consumptive lifestyle, because someone will carry out consumption activities continuously without considering the use value of the item. Besides being able to complete references related to kebaya, the results of this review are also expected to be input for related parties to maintain the traditional kebaya standard and consider ethics in buying kebaya so as not to create a consumptive lifestyle.

Downloads

Download data is not yet available.

References

Agista, T. P. C., Faruk, & Handajani, S. (2019). Social Movement and Kebaya Design Trends in the Borderless World. 95–99. https://doi.org/10.2991/AICOSH-19.2019.19

Annisa, R., Rohman, F., & Noermijati. (2014). Alasan Gaya Hidup Konsumen dalam Mengkonsumsi Kebaya sebagai Barang Mewah | Annisa | Jurnal Aplikasi Manajemen. https://jurnaljam.ub.ac.id/index.php/jam/article/view/692

Ashoer, M., Syahnur, H., & Murdifin, I. (2019). Bagaimana Gaya Hidup mempengaruhi Keputusan Pembelian Tiket Online. Jurnal Ilmiah Manajemen Dan Bisnis, 20(1), 52–65. https://doi.org/10.30596/JIMB.V20I1.2493

Astarini, D. (2018). Kebaya, Simbol Kelembutan dan Keteguhan Perempuan - MerahPutih. https://merahputih.com/post/read/kebaya-simbol-kelembutan-dan-keteguhan-perempuan

Bakti, I. S., Nirzalin, N., & Alwi, A. (2019). Konsumerisme dalam Perspektif Jean Baudrillard. Jurnal Sosiologi USK (Media Pemikiran & Aplikasi), 13(2), 147–166. https://doi.org/10.24815/JSU.V13I2.15925

Fitria, F., Wahyuningsih, N., Studi Seni Murni Fakultas Seni Rupa dan Desain Universitas Sebelas Maret Surakarta Jl Ir Sutami, P., Kentingan, A., & Tengah, J. (2019). KEBAYA KONTEMPORER SEBAGAI PENGIKAT ANTARA TRADISI DAN GAYA HIDUP MASA KINI. ATRAT: Jurnal Seni Rupa, 7(2), 128–138. https://doi.org/10.26742/ATRAT.V7I2.617

Garlufi, R., & Nursasari, F. (2018). POTENSI PENERAPAN TEKNIK ZERO WASTE PATTERN CUTTING PADA DESAIN KEBAYA. ATRAT: Jurnal Seni Rupa, 6(3). https://doi.org/10.26742/ATRAT.V6I3.584

Hendariningrum, R., Edy Susilo Jurusan Ilmu Komunikasi FISIP UPN, M., Babarsari No, J., & Telp, Y. (2008). Fashion dan gaya hidup: identitas dan komunikasi. Jurnal.Upnyk.Ac.Id, 6(2). http://jurnal.upnyk.ac.id/index.php/komunikasi/article/viewFile/38/42

Indainanto, Y. I., & Nasution, F. A. (2020). REPRESENTASI DI MEDIA SOSIAL SEBAGAI PEMBENTUK IDENTITAS BUDAYA POPULER. SEMIOTIKA: Jurnal Komunikasi, 14(1). https://doi.org/10.30813/S:JK.V14I1.2200

Karuni, N. K., Wayan Suardana, I., Made Suparta, I., Studi Kriya Seni, P., & Seni Rupa dan Desain, F. (2019). Produksi Kerajinan Sarana Upacara Dan Gaya Hidup Religius Masyarakat Gianyar. Mudra Jurnal Seni Budaya, 34(1), 97–104. https://doi.org/10.31091/MUDRA.V34I1.644

Karyaningsih, E. W. (2015). FAKTOR-FAKTOR YANG MEMPENGARUHI PEMILIHAN KEBAYA PADA IBU-IBU DAN REMAJA PUTRI. KELUARGA: Jurnal Ilmiah Pendidikan Kesejahteraan Keluarga, 1(1). https://doi.org/10.30738/KELUARGA.V1I1.556

Khoirnafiya, S. (2020). Marginal Community and Their White Kebaya: Penghayat Sapta Darma and the Purity Discourse in Jakarta. Jurnal Antropologi: Isu-Isu Sosial Budaya, 22(2), 178–186. https://doi.org/10.25077/JANTRO.V22.N2.P178-186.2020

Luthfiana, N., Sofi, LastNameOktafiana2, D., LastNameRakhma3, N., & Psikologi, J. (2019). Representasi Diri Gelandangan di Kota Semarang. Intuisi : Jurnal Psikologi Ilmiah, 11(2), 150–157. https://doi.org/10.15294/INTUISI.V11I2.22570

Murdaningsih, R. P., Ardhiati, Y., & Djalari, Y. A. (2013). RANCANGAN KEBAYA CASUAL UNTUK PEREMPUAN URBAN BERDASARKAN KEBAYA TRADISI BETAWI. Jurnal Dimensi Seni Rupa Dan Desain, 10(2), 173–182. https://doi.org/10.25105/DIM.V10I2.305

Octaviana, R. (2020). Konsep konsumerisme masyarakat modern dalam kajian Herbert Marcuse. Journal.Uinsgd.Ac.Id. http://journal.uinsgd.ac.id/index.php/jaqfi/article/view/6267

Ramdhani, I., Sunan, U., & Djati Bandung, G. (2021). PANDANGAN AGAMA TERHADAP BUDAYA TRADISIONAL PEREMPUAN INDONESIA. Jurnal Fusion, 1(07), 141–158. https://doi.org/10.54543/FUSION.V1I07.34

Ratuannisa, T., Santosa2, I., Kahdar, K., & Syarief, A. (2020). Shifting of Batik Clothing Style as Response to Fashion Trends in Indonesia. Mudra Jurnal Seni Budaya, 35(2), 127–132. https://doi.org/10.31091/MUDRA.V35I2.1044

santoso, ratna endah, widyastuti, T., Sakuntalawati, L. R. D., Josef, A. I., & Affanti, T. B. (2019). PERUBAHAN NILAI DAN FILOSOFIS BUSANA KEBAYA DI JAWA TENGAH. Brikolase : Jurnal Kajian Teori, Praktik Dan Wacana Seni Budaya Rupa, 11(1), 32–42. https://doi.org/10.33153/BRIKOLASE.V11I1.2479

Sariyati, O. I. (2013). KEBAYA DALAM ARENA KULTULRAL. Corak, 2(2). https://doi.org/10.24821/CORAK.V2I2.2339

Shioya, M. (2020). CLOTHING AND IDENTITY IN INDONESIA AND JAPAN. Anthropology.Aa-Ken.Jp. https://anthropology.aa-ken.jp/result/Performing_the_Self_and_Playing_with_the_Otherness.pdf#page=25

Stephanie, T., Dra Ratna Suhartini, dan, Negeri Surabaya, U., Pembimbing Tata Busana Jurusan PKK, D., & Teknik, F. (2021). FAKTOR- FAKTOR YANG MEMPENGARUHI PEMILIHAN KEBAYA. Jurnal Online Tata Busana, 10(01), 184–191. https://doi.org/10.26740/JOTB.V10N01.P184-191

Suasmini, I. D. A. S. (2017). Kebaya Sebagai Busana Ke Pura Dalam Representasi Perempuan Kontemporer Di Kota Denpasar. Mudra Jurnal Seni Budaya, 32(1), 141–148. https://doi.org/10.31091/MUDRA.V32I1.93

Suciati, S., Sachari, A., & Kahdar, K. (2015). NILAI FEMININITAS INDONESIA DALAM DESAIN BUSANA KEBAYA IBU NEGARA. RITME, 1(1), 52–59. https://ejournal.upi.edu/index.php/ritme/article/view/1889

Suciati, S., Sachari, A., Kahdar, K., & Syarif, A. (2016). Karakteristik Visual Busana Kebaya Ibu Negara Indonesia. Mudra Jurnal Seni Budaya, 31(2). https://doi.org/10.31091/MUDRA.V31I2.32

Suciptaningsih, O. (2017). HEDONISME DAN KONSUMERISME DALAM PERSPEKTIF DRAMATURGI ERVING GOFFMAN. Core.Ac.Uk, 2(1). https://core.ac.uk/download/pdf/234023934.pdf

Suksma, I. G. W., Widana, I. G. K., & Winantra, I. K. (2020). RITUAL HINDU DALAM PERSPEKTIF KONTEMPORER. WIDYANATYA, 2(01), 62–71. https://doi.org/10.32795/WIDYANATYA.V2I01.628

Tenaya, A. A. Ngr. A. M. K. (2021). Hegemoni Fashion Barat Pada Busana Bangsawan di Bali Utara (1800-1940). Mudra Jurnal Seni Budaya, 36(2), 245–253. https://doi.org/10.31091/MUDRA.V36I2.1478

Trismaya, N. (2018). KEBAYA DAN PEREMPUAN: SEBUAH NARASI TENTANG IDENTITAS. JSRW (Jurnal Senirupa Warna), 6(2), 151–159. https://doi.org/10.36806/.V6I2.95

Trismaya, N. (2020). Menafsir Ulang Pemakaian Sneakers Berkain-Kebaya. JSRW (Jurnal Senirupa Warna), 8(2), 187–197. https://doi.org/10.36806/.V8I2.89

Trisnawati, T. Y. (2016). Fashion sebagai Bentuk Ekspresi Diri dalam Komunikasi. Jurnal The Messenger, 3(2), 36–47. https://doi.org/10.26623/THEMESSENGER.V3I2.268

Tuasikal, S., Sumarah, N., representamen, K. W.-, & 2017, undefined. (2017). Analisis makna busana kebaya pada upacara adat ruwatan Desa Jati Sumber Kecamatan Trowulan Mojokerto. Jurnal.Untag-Sby.Ac.Id. http://jurnal.untag-sby.ac.id/index.php/representamen/article/view/1406/1177

Zaman, S. (2017). POLA KONSUMTIF MASYARAKAT URBAN DALAM PERSPEKTIF SEMIOTIK DAN BUDAYA. Download.Garuda.Kemdikbud.Go.Id, 7(1), 40–49. https://doi.org/10.17510/paradigma.v7i1.138

Downloads

Published

09-03-2023

How to Cite

Kusumadewi, P. D. A., & Jerusalem, M. A. . (2023). A Review: The Transformation Of The Meaning Of Kebaya From National Clothing To A Media Of Self-Representation And Lifestyle. Mudra Jurnal Seni Budaya, 38(2), 174–187. https://doi.org/10.31091/mudra.v38i2.2005

Issue

Section

Articles
Loading...