Pementasan Barong Dan Rangda Dalam Perspektif Estetika Dan Pendidikan Agama

Authors

  • I Made Suta

DOI:

https://doi.org/10.31091/mudra.v24i1.1553

Keywords:

barong, rangda, aesthetic, religious, education

Abstract

Barong and Rangda that are performed in the temple are secred. The performance of Barong and Rangda is usually on Saturday Kliwon, Kuningan according to Balinese calendar. People believe that if Barong and Rangda are not performed, it will be epidemic disaster (grubug). The performance of Barong and Rangda are full of aesthetical values such as its ornaments, movement, and accessories used in the performance. All are bind in Three Wisesa : Satyam (Truth), Siwam (Purity), and Sundaram (beauty). The performance of Barong and Rangda also have religious, magic, social, harmony, and balance dimension. In the perspective of Hindu education the performance of Barong and Rangda teach Sraddha (faith), Tattwa (philosophy), and Susila (ethnic).

Downloads

Download data is not yet available.

References

Budhiartini, Pan Putu. 2000, Rangda dan Barong Unsur Dua Listik Mengungkap Asal-Usul Manusia.

Bala, Kriya. 2002, Pura Luhur Puncak Bukit Rangda.

Cudamani, 1998, Bagaimana Umat Hindu Menghayati Ida Sang Hyang Widhi, Surabaya: Paramita.

Eliade, Mercea. 2002, Sakral dan Profan, Yogyakarta: Fajar Pustaka Bali

Granoka, Ida Wayan Oka. 1998, Memori Bajra Sandhi, Perburuan ke Pranajiwa: Perburuan Seorang Ida Wayan Granoka, Denpasar: Sanggar Bajra Sandhi.

Kadjeng, dkk. 2006, Sarasamuscaya, Surabaya: Paramita.

Koentjaraningrat, 1996, PengantarAntropologi, Jakarta: Rineka Cipta Pandji. 1976, Barong di Bali Ditinjau dari Segi Ritual dan Perkembangan Sebagai Seni Pertunjukan, Denpasar: Proyek Sasana Budaya Bali

Pudja. 1999, Bhagawad Gita (Pancama Weda), Denpasar: Mayasari Segara, Yoga. 2000, Mengenal Barong dan Rangda, Surabaya: Paramita

Setia, Putu. 2002, Mendebat Bali, Denpasar: Manikgeni

Sudharta, Tjok Rai, dan Oka Punia Atmaja, I.B. 2005, Upadesa Tentang Ajaran-ajaran Agama Hindu, Surabaya: Paramita.

Sudiana, Gusti Ngurah. 1999, Desakralisasi Tari Barong dalam Kehidupan Sosial Budaya Masyarakat Bali. Yogyakarta: UGM

Tim. 2002, Kajian Naskah Lontar Siwagama, Denpasar: Dinas Kebudayaan Propinsi Bali

Wiratmaja, Gusti Ketut dan Nala, Gst. Ngr.1997, Murdha Agama Hindu, Denpasar: Kayu Mas.

Downloads

Published

2009-01-30

How to Cite

I Made Suta. (2009). Pementasan Barong Dan Rangda Dalam Perspektif Estetika Dan Pendidikan Agama. Mudra Jurnal Seni Budaya, 24(1). https://doi.org/10.31091/mudra.v24i1.1553

Issue

Section

Articles