Reconstruction of The North Nias Giri-Giri Dance: A Creative Process

Reconstruction of The North Nias Giri-Giri Dance: A Creative Process

Authors

  • Tuti Rahayu Universitas Negeri Medan
  • Yusnizar Heniwaty Universitas Negeri Medan
  • Wiflihani Universitas Negeri Medan

DOI:

https://doi.org/10.31091/mudra.v39i1.2700

Keywords:

Reconstruction, Giri-giri Dance, North Nias

Abstract

This research aims to find out the views of the people of Lahewa Village, North Nias Regency, regarding the Giri-giri dance which has been lost; the process of reconstructing the Giri-giri dance; the results of the reconstruction of the Giri-giri dance; and the creative process in its reconstruction. This research process resulted in a video and book on the Giri-giri dance from the local culture of North Nias. The method used in this research is qualitative in the form of descriptive analysis. The scope of the discussion includes the following: 1) What is the process of reconstructing the Giri-giri dance? 2) What is the shape of the reconstruction of the Giri-giri dance? 3) What factors support the reconstruction of the Giri-giri dance? Data analysis was carried out from each part found. Data was obtained from literature study, observation, and interviews. The research locations were carried out in the cities of Medan and Nias. The data that has been collected is analyzed using a qualitative paradigm using project-based research. The concept used in reconstructing the Giri-giri dance is structuring forms so that changes can be seen in the movement components, make-up and clothing, floor design, and dance props by providing innovative tourism art concepts, namely short, concise, engaging, and selling value. So, based on this concept, the Giri-giri dance can become a performing arts asset in North Nias Regency and Medan City.

Downloads

Download data is not yet available.

References

Bogdan and Taylor. (2012). Research Procedures. In Moleong, Approach. Qualitative. Jakarta: Rineka Cipta

Finta Ayu Dwi Aprilina. (2014). ”Reconstruction of the Kuntulan Dance as Wrong "One Artistic Identity of Tegal Regency" UNNES Journal Vol. 3 No. 1.

Ika Ayu Kuncara Ningtyas, Slamet MD. (2018). “Reconstruction of the Bedhaya Dance Sukoharjo By M. Th. Sri Mulyani.” ISI Surakarta Greget Journal. Vol. 15. No. 1

Koko Hari Pramono. (2019). "Jidor Sentulan: Reconstruction and Cultural Studies" Satwika Journal Vol. 3 No. 2, Wilwatikta College of Arts.

Ni Luh Putu Wiwin Astari, I Ketut Gede Rudika, Ni Dewi Septiandriani. (2022). “Reconstruction of the Magpag Yeh Line Dance in Subak Tegan Traditional Village Ships in Mengwi District, Badung Regency" Widyanatra Journal Vol. 4 No. 2 of 2022. Hindu University Faculty of Education Indonesia. Bali

Rahayu, Tuti. (2017). The Paradise Of North Nias Island, Medan Indonesia. Pluralistic and Harmony Phenomenon Of Life

Rahayu, Tuti, & Wiflihani. (2022). Nias Dance Encyclopedia as a Source Of The Working Process”. British International Journal of Linguistics. Art and Education (BioLAE) Vol. 4. No. 2 Pages 197-207. July 2022

Rahayu, Tuti, & Wiflihani. (2022). Dance Encyclopedia of the Nias region, North Sumatra. Education (LKMBP)

Trisnawati, I. A., & Gusman, D. (2023). Jangkang Baris Dance in Sidatapa Village Study on The Meaning And Potential as Tourist Attraction. Mudra Jurnal Seni Budaya, 38(3), 234–330. https://doi.org/10.31091/mudra.v38i3.2370

Wahyudiyanto. (2023). “Greget” in The Surabaya Ngrema Dance Performance Representation of The Value of The Fighting Spirit of Arek Surabaya. Mudra Jurnal Seni Budaya, 38(4), 360–370. https://doi.org/10.31091/mudra.v38i4.2210 Widyastiningrum, Sri Rochana. (2012) Revitalization of Surakarta Style Dance. Surakarta: ISI Press.

Downloads

Published

06-02-2024

How to Cite

Tuti Rahayu, Yusnizar Heniwaty, & Wiflihani. (2024). Reconstruction of The North Nias Giri-Giri Dance: A Creative Process. Mudra Jurnal Seni Budaya, 39(1), 126–134. https://doi.org/10.31091/mudra.v39i1.2700

Issue

Section

Articles
Loading...