Articles

• Performing Authenticity And Contesting Heritage In The UNESCO-Inscribed Jerusarema/Mbende Dance Of Zimbabwe

  Nesta Nyaradzo Mapira, Made Mantle Hood

  1-11

  • PDF
• Interculturalism through a cognitive filter: Gilles Tremblay recomposes gamelan in Oralléluiants [1975]

  Jonathan Goldman

  12-18

  • PDF
• Curating the Painting Collection of the Presidential Palace of the Republic of Indonesia

  Mikke Susanto, GR. Lono L. Simatupang, Timbul Haryono

  19-29

  • PDF
• Interpreting the Tri Mandala Concept on the Motif of Gringsing Wayang Kebo Woven Cloth

  I Wayan Mudra, Nina Eka Putriani

  30-38

  • PDF
• Meguru Panggul and Meguru Kuping; The Method of Learning and Teaching Balinese Gamelan

  I Wayan Sudirana

  39-44

  • PDF
• Expansion Of Value And Form Dol Musicality As Ritual Tabot In Bengkulu

  Bambang Parmadie, I Gede Arya Sugiartha

  45-51

  • PDF