Articles

• Performing Authenticity And Contesting Heritage In The UNESCO-Inscribed Jerusarema/Mbende Dance Of Zimbabwe

  Nesta Nyaradzo Mapira, Made Mantle Hood

  1-11

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• Interculturalism through a cognitive filter: Gilles Tremblay recomposes gamelan in Oralléluiants [1975]

  Jonathan Goldman

  12-18

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• Curating the Painting Collection of the Presidential Palace of the Republic of Indonesia

  Mikke Susanto, GR. Lono L. Simatupang, Timbul Haryono

  19-29

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• Interpreting the Tri Mandala Concept on the Motif of Gringsing Wayang Kebo Woven Cloth

  Nina Eka Putriani, Sri Marwati, I Wayan Mudra

  30-38

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• Meguru Panggul and Meguru Kuping; The Method of Learning and Teaching Balinese Gamelan

  I Wayan Sudirana

  39-44

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• Expansion Of Value And Form Dol Musicality As Ritual Tabot In Bengkulu

  Bambang Parmadie, I Gede Arya Sugiartha

  45-51

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