Available Online since April, 2018

DOI: https://doi.org/10.31091/lekesan.v1i1

Published: 2018-05-22

Articles

Performing Authenticity And Contesting Heritage In The UNESCO-Inscribed Jerusarema/Mbende Dance Of Zimbabwe

Nesta Nyaradzo Mapira, Made Mantle Hood

1-11

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DOI: https://doi.org/10.31091/lekesan.v1i1.340

Interculturalism through a cognitive filter: Gilles Tremblay recomposes gamelan in Oralléluiants [1975]

Jonathan Goldman

12-18

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DOI: https://doi.org/10.31091/lekesan.v1i1.344

Curating the Painting Collection of the Presidential Palace of the Republic of Indonesia

Mikke Susanto, GR. Lono L. Simatupang, Timbul Haryono

19-29

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DOI: https://doi.org/10.31091/lekesan.v1i1.342

Interpreting the Tri Mandala Concept on the Motif of Gringsing Wayang Kebo Woven Cloth

Nina Eka Putriani, Sri Marwati, I Wayan Mudra

30-38

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DOI: https://doi.org/10.31091/lekesan.v1i1.343

Meguru Panggul and Meguru Kuping; The Method of Learning and Teaching Balinese Gamelan

I Wayan Sudirana

39-44

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DOI: https://doi.org/10.31091/lekesan.v1i1.341

Expansion Of Value And Form Dol Musicality As Ritual Tabot In Bengkulu

Bambang Parmadie, I Gede Arya Sugiartha

45-51

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DOI: https://doi.org/10.31091/lekesan.v1i1.301