Vol. 9 No. 1 (2026)

Articles

• THE SYMBOLIC MEANING OF KEMBANG URA DANCE IN THE SIDAKARYA MASK TRADITION: AN ETHNO-AESTHETIC STUDY

  Dewa Ayu Galih Mas Narapadi, Ni Made Ruastiti, Kompiang Gede Widnyana

  1-16

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• DEVELOPMENT OF STANDARD LAYOUT FOR TRADITIONAL BALINESE TEXTILE EXHIBITION TO SUPPORT VISITOR APPRECIATION AND TEXTILE MATERIAL STABILITY

  Putu Ari Darmastuti, Yuni Diantari, Kadek Resi Kerdiati

  17-26

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• ERISAN TARANGKAMBREI: INTERPRETATION OF THE YAPEN ISLANDS, PAPUA TRADITION THROUGH CONTEMPORARY DANCE CREATION

  Welly Kadiwaru; Peradantha Ida Bagus Gede Surya; Winerungan Febiola Karolina

  27-36

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• WAYANG GAMBUH AS A REPRESENTATION OF BALINESE CULTURAL VALUES: AN AESTHETIC PERSPECTIVE ON THE PERFORMING ARTS

  I Made Marajaya

  37-51

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• THE EXISTENCE OF BALINESE MASK DANCE DRAMA IN THE MILLENNIAL GENERATION IN GIANYAR REGENCY

  I Gede Tilem Pastika, Sugita, Dwiyoga

  52-65

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• MATERIAL REGENERATION AND CULTURAL SUSTAINABILITY THROUGH MODULAR FASHION DESIGN: RECONCEPTUALIZING BALINESE ENDEK WEAVING SCRAPS

  Ni Kadek Yuni Diantari, Gede Bayu Segara Putra, Anak Agung Gede Rai Remawa, I Wayan Dedy Prayatna, I Putu Udiyana Wasista

  66-84

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