Vol. 8 No. 1 (2025)

DOI: https://doi.org/10.31091/lksn.v8i1
Published: 2025-05-05

  • ANALYSIS OF THE FORM AND HARMONY OF WIDYA SARASWATI DANCE MOVEMENTS

    I Gede Tilem Pastika, Sugita
    51-64
    DOI: https://doi.org/10.31091/lksn.v8i1.3197

  • BARIS KLEMAT DANCE IN MENEGA TEMPLE, SESEH TRADITIONAL VILLAGE, BADUNG, BALI

    Ni Putu Putri Laksmi Dewi, Ni Wayan Ardini, I Gede Yudarta
    43-50
    DOI: https://doi.org/10.31091/lksn.v8i1.3040

  • ANALYSIS OF EDUCATIONAL VALUE IN THE DRAMA GONG SAMPIK ENGTAY BY ISI DENPASAR STUDENTS

    Ida Ayu Gede Sasrani Widyastuti, Dewa Gede Satya Adi Maha Utamia
    31-42
    DOI: https://doi.org/10.31091/lksn.v8i1.3137

  • THE DIGITALIZATION OF CULTURE THROUGH ASSISTANCE IN CREATING THE PURANA JERO PANDAK WEBSITE, PANDAK GEDE VILLAGE, TABANAN

    I Komang Try Adi Stanaya , Anak Agung Ayu Meitridwiastiti, I Gusti Bagus Agung Kusuma Atmaja, Komang Ari Setya Dharma, I Gde Jananuraga Susena, Katharina Diaz
    1-12
    DOI: https://doi.org/10.31091/lksn.v8i1.2874

  • AESTHETIC STUDY OF GENDING BIMANIYU REPERTOIRE OF GENDER WAYANG STYLE TENGANAN KARANGASEM

    Putu Hartini, I Gusti Putu Sudarta, I Ketut Muryana
    13-22
    DOI: https://doi.org/10.31091/lksn.v8i1.3037

  • COLORING THE SOUL: THE USE OF SPLIT BATIK ART IN EMOTIONAL THERAPY FOR PEOPLE WITH MENTAL DISORDERS (ODGJ)

    Denik Ristya Rini, Soesanto, Wahyu Lestari
    23-30
    DOI: https://doi.org/10.31091/lksn.v8i1.3085