KITES AS SYMBOLS IN BALINESE KARAWITAN MUSIC NEW CREATIONS: DECONSTRUCTING THE KITE TRADITION

KITES AS SYMBOLS IN BALINESE KARAWITAN MUSIC NEW CREATIONS: DECONSTRUCTING THE KITE TRADITION

Authors

  • Agus Sattvika Dance (Bachelor's Degree), Papua Arts and Culture Institute
  • Ni Made Ruastiti Dance (Bachelor's Degree), Faculty of Performing Arts, Indonesian Institute of the Arts (ISI) Bali
  • Yoga Kharisma Pradana Gede Applied Tourism Planning and Development (Master's Degree), Postgraduate Program, Institute of Tourism and International Business (IPBI)

DOI:

https://doi.org/10.31091/lksn.v8i2.3561

Keywords:

Deconstruction, Kite, Symbolic Transformation, Construction, Balinese Karawitan Music Art, New Creation

Abstract

In Balinese gamelan art, a new Balinese musical creation featuring kites has been introduced. While kite-flying traditions had previously existed, there had been no Balinese gamelan musical works featuring. This phenomena reflects a transformational style that involves deconstructive techniques. The concerns are: 1) What is the shape of new kite building in Balinese karawitan art activities?; 2) Are there differences in kite traditions & in Balinese karawitan art activities?; 3) What is the purpose of deconstruction of kite traditions in Balinese karawitan art activities?. A qualitative methods was applied from a cultural studies standpoint. An interdisciplinary strategy was used to collect all data, which included document studies, participant observation, and interviews with Karawitan artists. All data were analyzed qualitatively-interpretively, with consideration given to deconstruction, aesthetics, and ethnomusicology theories. The results show tha t: 1) a new construction of kite tradition elements is seen in the sound patterns of new creative karawitan music; 2) the form of kite tradition is seen in the phase preceding the realization of new creative karawitan music works with a kite theme; and 3) artistic, religious, and communicative meanings are implied in the new creative karawitan artworks as a deconstruction of the kite tradition. These discoveries help to shape karawitan art based on local wisdom and create opportunity for discussion amongst traditional cultural forms.

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Author Biographies

Agus Sattvika, Dance (Bachelor's Degree), Papua Arts and Culture Institute

I Putu Agus Eko Sattvika is a karawitan lecturer in the dance arts study program, performing arts department, at the Tanah Papua Institute of Arts and Culture (ISBI). He actively teaches courses in art appreciation, dance analysis, and dance music.

Ni Made Ruastiti, Dance (Bachelor's Degree), Faculty of Performing Arts, Indonesian Institute of the Arts (ISI) Bali

Ni Made Ruastiti is a professor of performing arts and tourism in the Dance Arts Study Program, Faculty of Performing Arts, ISI Bali. She actively teaches courses in arts and tourism, interdisciplinary research on arts governance, and arts marketing management. 

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Published

2025-12-03

How to Cite

Agus Eko Sattvika, I. P., Ruastiti, N. M., & Gede, Y. K. P. (2025). KITES AS SYMBOLS IN BALINESE KARAWITAN MUSIC NEW CREATIONS: DECONSTRUCTING THE KITE TRADITION. Lekesan: Interdisciplinary Journal of Asia Pacific Arts, 8(2), 111–127. https://doi.org/10.31091/lksn.v8i2.3561

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