Wayang (Puppet) Character Transformation Model In Augmented Reality

Wayang (Puppet) Character Transformation Model In Augmented Reality

Authors

  • I Putu Ardiyasa Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singararaja

DOI:

https://doi.org/10.31091/lekesan.v3i2.1141

Keywords:

Wayang Characters, Transformation, Augmented Reality

Abstract

The art of wayang that thrives, are dynamic and always adapt to the times need to consider the regeneration of puppet show audiences. The presence of technology has changed the audience’s paradigm of verbal performances into visual performances. This wayang character transformation model is an offering of AR application-based art products that aim to become a medium for introducing wayang art from an early age and in various rooms. This study develops an Augmented Reality application. Data were collected using data collection methods in the form of observation, interviews and simple questionnaires and documentation studies. The results showed that there are two models, namely, the Tri Sandi and the Waterfall model. This modeling found the form of a puppet character recognition application product that contains plot, tetikesa, antawacana (speech presentation style), discourse, stage and melody.

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References

Book

Dewey’s, Jhon. 1958. Art As Experience. New York: Capricorn Books

Djelantik, AAM, 1990. Introduction to Basic Aesthetic Science Volume I: Instrumental Aesthetics. Denpasar: STSI Denpasar

Hadiprayitno, Kasidi. 2004. Aesthetic Theory: for Puppetry Arts. Yogyakarta: Research Institute of the Indonesian Art Institute, Yogyakarta.

Senawangi. 1999. Iseklopaedia of Indonesian Wayang. Vols 1-8. Jakarta: Senawangi

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Translated Book

Creswell, John. 2016. Research Design: Qualitative, Quantitative and Mixed Method Approaches. Yogyakarta: Student Library.

Langer, Suzanne K. 2006. Problematic of Art. FX translation. Widyaryanto.SUSAN AMBU PRESS

Smiers, Joost. 2009. Art Under Pressure: Fighting for Cultural Diversity in the Age of Globalization. Yogyakarta: Insist.

Journal Article

Ardiyasa, IP “Interpersonal Trust: Organizational Sustainability of Papermoon Puppet Theater.â€JOURNAL OF ARTS GOVERNANCE2.1 (2016): 31-38.

(2020). The Philosophical Meanings of the Elements of Balinese Wayang Lemah Performance. Genta Hredaya,3(2).

Sedana, I. Nyoman. “Triadic Interplay: A Model of Transforming Literature into Wayang Theater.â€SARE: Southeast Asian Review of English56.1 (2019): 11-25.

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Thesis

Ardiyasa’s, I. Putu. 2015. Irawan Rabi’s Dramatic Structure and Rhetoric in Wayang Kulit Parwa by Puppeteer I Dewa Rai Mesi. Undergraduate Thesis, Indonesian Art Institute Denpasar.

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Published

2020-11-04

How to Cite

Ardiyasa, I. P. (2020). Wayang (Puppet) Character Transformation Model In Augmented Reality. Lekesan: Interdisciplinary Journal of Asia Pacific Arts, 3(2), 54–63. https://doi.org/10.31091/lekesan.v3i2.1141

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Articles
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