Eksperimentasi Audio Spasial sebagai Material Struktural dalam Komposisi Musik ‘Aok Bah’
Abstract
Purpose: The purpose of this research is to explore spatial audio concepts as an artistic strategy in music composition, specifically to create immersive listening experiences. This study specifically aims to test spatialization strategies as musical structures, which are organized based on considerations of timbre, register, and instrument organology. Method: This research was conducted through an experimental approach, utilizing the Higher-Order Ambisonics (HOA) system and Panoramix software. These systems were employed as the primary tools to test and manage spatialization strategies as structural musical elements during a live performance. Result and Discussion: The results of the study show that spatial audio techniques do not merely function as supplementary or additional effects. Instead, they can be fundamentally integrated as primary material and structural elements within a music composition, allowing for a more comprehensive perception of depth and height. Implication: These findings open new opportunities in contemporary music composition practices, where space is no longer just a passive container for sound but functions as an active and fundamental part of the musical process itself.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Journal of Music Science, Technology, and Industry
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The author submits the manuscript to do so with the understanding that if accepted by the Journal of Music Science, Technology, and Industry for publication, the publication of the copyright of the article will be assigned/transferred to the Journal of Music Science, Technology, and Industry.
However, the Authors still reserve the following:
a). All proprietary rights other than copyright such as patent rights,
b). The right to use all or part of this article in future works of our own such as in books and lectures.
After receiving the article, the author will be asked to complete the 'Copyright Transfer Agreement'. An e-mail will be sent to the relevant author confirming receipt of the manuscript along with the 'Copyright Transfer Agreement' form by the online version of this agreement.
the Journal of Music Science, Technology, and Industry, the International Editorial and Editorial Board made every effort to ensure that no false, misleading data, opinions or statements were published in the journal . In any way, the contents of articles and advertisements published in the Journal of Music Science, Technology, and Industry are the sole and exclusive responsibility of each writer and advertiser.
The Copyright Transfer Agreement Form (CTA) can be downloaded here: [Copyright Transfer Agreement (CTA) Form Journal of Music Science, Technology, and Industry]
