Perancangan Minus One Instrumen Keroncong pada Lagu Keroncong Moresko Karya Kusbini
DOI:
https://doi.org/10.31091/jomsti.v4i1.1383Abstract
Purpose: There is only limited literature dealing with the minus-one design process, especially for the seven keroncong instruments. The writer wants to know the minus one design process for Kusbini's Kerocong Moresco song, both conceptually and technically. Research methods: This qualitative research employs an observation, interview, and documentation as the research instrumens to gather the data, and support the research results and findings which the data will then be verified using perspectives in musicology that focus on intra-aesthetic aspects, for instance, musical forms, individual performance techniques, and ensembles. Results and discussion: The process of designing a minus one for keroncong instrumen uses multitrack recording to maintain the intra-esthetic aspects of keroncong music in Kusbini's Keroncong Moresko song. Implication: The current Covid-19 pandemic is not a barrier to continuing to do keroncong music activities, especially in terms of learning music
Downloads
Published
How to Cite
Issue
Section
License
The author submits the manuscript to do so with the understanding that if accepted by the Journal of Music Science, Technology, and Industry for publication, the publication of the copyright of the article will be assigned/transferred to the Journal of Music Science, Technology, and Industry.
However, the Authors still reserve the following:
a). All proprietary rights other than copyright such as patent rights,
b). The right to use all or part of this article in future works of our own such as in books and lectures.
After receiving the article, the author will be asked to complete the 'Copyright Transfer Agreement'. An e-mail will be sent to the relevant author confirming receipt of the manuscript along with the 'Copyright Transfer Agreement' form by the online version of this agreement.
the Journal of Music Science, Technology, and Industry, the International Editorial and Editorial Board made every effort to ensure that no false, misleading data, opinions or statements were published in the journal . In any way, the contents of articles and advertisements published in the Journal of Music Science, Technology, and Industry are the sole and exclusive responsibility of each writer and advertiser.
The Copyright Transfer Agreement Form (CTA) can be downloaded here: [Copyright Transfer Agreement (CTA) Form Journal of Music Science, Technology, and Industry]
