Interpreting the Tri Mandala Concept on the Motif of Gringsing Wayang Kebo Woven Cloth

I Wayan Mudra, Nina Eka Putriani

Abstract


Gringsing wayang kebo woven cloth is one of specialty cloths owned by Tenganan Pegringsingan Village, Manggis Sub-district, Karangasem Regency, Bali. This research aims to interpreting the Tri Mandala concept on the motif of gringsing wayang kebo woven cloth. The approach of this research is descriptive qualitative. Techniques for collecting data are observation, interview, and documentation, data analysis is using interactive analysis model and the validity of the data will be confirmed with triangulation technique. The result of this research shows that the motif of gringsing wayang kebo follows the of Tri Mandala concept that consists of 3 parts, Main pattern, Center pattern, and edge pattern. The motifs consisted of each pattern are 1). The motif on the main pattern consists of the plus, swastika, building, and scorpion motif; 2). The motif on the center pattern consists of an animal motif, floral, mountain, wayang; and; 3). The motif on the edge pattern consists of plus sign (+) and sun. 


Keywords


Tri Mandala; motifs; the gringsing woven cloth

Full Text:

PDF

References


Biranul Anas dan kawan-kawan. 1995. Indonesia Indah: Tenunan Indonesia. Jakarta: Perum Percetakan Negara Indonesia.

Djoemana, Nian S. 2000. Lurik Garis-Garis Bertuah The Magic Stripes. Jakarta: Djambatan.

Maria, Siti. Rupa, I Wayan. 2007. Desa Adat Tenganan Pegringsingan Kabupaten Karangasem Propinsi Bali. Depbudpar Dirjen Nilai Budaya Seni dan Film Direktorat Kepercayaan terhadap Tuhan yang Maha Esa: Dirjen Kebudayaan.

Moleong, Lexy J. 2012. Metodologi Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya.

Masyarakat Perlindungan Indikasi Geografis Tunungringsing Bali. 2015. Buku Persyaratan Pendaftaran Indikasi Geografis Tunungringsing Bali. Bali.

Putu Sudira. 2014. Konsep Dan Praksis Pendidikan Hindu Berbasis Tri Hita Karana, Makalah disajikan dalam Seminar Eksistensi Pendidikan Hindu Dalam Sisdiknas Di Era Global, Universitas Negeri Yogyakarta, Yogyakarta.

Raharja, I Gede Mugi. 2011. Falsafah dan Konsep Ruang Tradisional Bali. http://repo.isidps.ac.id (diakses 24 Juni 2017).

Sachari, Agus. 2005. Pengantar Metodologi Penelitian Budaya Rupa. Jakarta: Erlangga.

Soedarso, Sp. Trilogi Seni: Penciptaan, Eksistensi, dan Kegunaan Seni, Yogyakarta: ISI Yogyakarta, 2006.

Suwati, Kartiwa. 2007. Ragam Kain Tradisional Indonesia Tenun Ikat. Jakarta: Gramedia Pustaka Utama.

Tim Penyusun Buku Kersos Universitas Mahendradatta Bali. 2016. Desa Tenganan “Eksistensi Peradaban Bali Mula Di Timur Pulau Seribu Pura”. Bali: FISIP, FH, FT, FE Universitas Mahendradatta Bali.




DOI: http://dx.doi.org/10.31091/lekesan.v1i1.343

Article metrics

Abstract views : 83 | views : 56

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Indexed By

Crossref logo Google Scholar   BASE

Editorial Office

LEKESAN Interdiciplinary Journal of Asia Pasific Arts
Indonesia Institute of The Arts of Denpasar
Jalan Nusa Indah Denpasar 80235
Phone : +62-361-227316 ext : 159 Fax : +62-361-236100
Email : penerbitan@isi-dps.ac.id

Creative Commons License
LEKESAN is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.